Archive for November, 2020

My Personal Anthology of Favorite Poems (Year-End Addition)

Tuesday, November 24th, 2020

At the height of the COVID19 pandemic, as 2020 neared December, several news broadcasts began providing candid memorials, snapshot obituaries, to victims of the deadly virus.

This is good. Most of these I’ve seen pay tribute to first-responders and health care workers. I think networks should do this regularly even when the pandemic is conquered sometime in the future.

News obituaries tend to honor the famous or infamous. I learned long ago that obituaries published in major newspapers, especially those in the New York Times, provide a helpful resource for biographical research.

Incidentally, one of the finest documentary films I’ve seen is called “Obit,” which tells the story of the Times’ writers of obituaries, and claims—though this may have changed since the film’s release—the Times is the only paper with an Obituary Reporting Department. (You’ll find this documentary easily on YouTube.)

Obituaries (“obits” in journalism jargon) are important to our memory. Almost every story reported in the daily news is dependent on information from someone’s memory, frequently categorized in the phrase “eye-witness.” More formally, we call this history, and all history is comprised of memories. Such is the nature of time.

I started reading newspaper obituaries as a teenager, about the same time I began keeping a journal and writing my own poems. Perhaps I was motivated by the death of a high school classmate; I did write a poem about his friendship.

[I’ve taken the liberty of attaching to this anthology my poem about this friend who died.]

Billy Collins’ poem “Downpour” (From his collection Whale Day, 2020) has been praised as a love poem, and certainly the element of love comes across subtly in Collins’ low-key and clever manner. However, the root of the poem, in my interpretation, is that “Downpour” underscores the experience of death and one’s memories of those who have died.

Interpret it as you wish, but I offer it as a favorite because I want readers to share my experience of dealing with the death of someone close to me, and perhaps in the process underscoring the importance of memory that can be found when names of close ones who died are listed.

Here is Collins’ poem “Downpour,”
originally published in The New Yorker in 2019 and gathered in his 2020 collection Whale Day.

======================================

Downpour

By Billy Collins

Last night we ended up on the couch
trying to remember
all of the friends who had died so far,

and this morning I wrote them down
in alphabetical order
on the flip side of a shopping list
you had left on the kitchen table.

So many of them had been swept away
as if by a hand from the sky,
it was good to recall them,
I was thinking
under the cold lights of a supermarket
as I guided a cart with a wobbly wheel

I was on the lookout for blueberries,
English muffins, linguini, heavy cream,
light bulbs, apples, Canadian bacon,
and whatever else was on the list,
which I managed to keep grocery side up,

until I had passed through the electric doors,
where I stopped to realize,
as I turned the list over,
that I had forgotten Terry O’Shea
as well as the banana and the bread.

It was pouring by then,
spillin, as they say in Ireland,
people splashing across the lot to their cars.
And that is when I set out,
walking slowly and precisely,
a soaking-wet man
bearing bags of groceries,
walking as if in a procession honoring the dead.

I felt I owed this to Terry,
who was such a strong painter,
for almost forgetting him
and to all the others who had formed
a circle around him on the screen in my head.

I was walking more slowly now
in the presence of the compassion
the dead were extending to a comrade,

plus I was in no hurry to return
to the kitchen, where I would have to tell you
all about Terry and the bananas and the bread.

================================================

Here’s my poem: “A Shorthand Note for Alex,” published by the Maryland Writers Association (MWA) in its 2011 anthology Life in Me Like Grass on Fire, edited by Laura Shovan. April 2011.

 

     A Shorthand Note for Alex 

Dear Sir: this steno’s shibboleth

retrieves his brief, slender form;

Alex, my friend ripped from studies

 

in the banter years of boys confused

but captive to coy female eyes.

We entered class in perfumed air

 

as naive males, two isolated boys

growing in stature, growing familiar

with 15 girls decoding Gregg

 

and framing flirtatious gambits.

Alex died, and left me shorthand notes,

graceful curves he’d chased in class.

 

Could I revise, I’d frame a “Dear Sir” plea

to have him live my trials of afternoons

in shorthand stalled, in ecstasies begun.

 

 

Attacking Blogger’s Block: Meet an Inspiring Guide

Saturday, November 14th, 2020

You might note the non-existence of my October entries. My last posting to this blog was on September 17, a whopping 58 days ago (an eon in blogging lives!)

In the midst of COVID19, when one practicing social distancing and self-quarantining could expect time to blog becoming  plentiful and the impulse to put words into print manifesting itself explosively, I have failed to organize a single entry to post for two months. I might be overdoing my championing of faith at ease.

I don’t blame the pandemic, however, for my stalled pen; it seems I have been jotting lots of notes to myself, but simply have not organized anything I wish to bestow with ether wings.

So, I’m taking a simple route here in posting advice to myself, focusing on one particular note of inspiration.

Anyone stumbling into my posts over the past 13 years will discover I saunter in the direction of leisurely musings dominated by a desire to become better at poetry and prayer. Thus, I searched my notebooks for inspiration.

It was at this point during my pandemic-induced scrapbook searchings that Marilyn dropped into my life.

She didn’t arrive in any scurrilous manner you might think I’m leaning into; nevertheless, she has awakened me, taught me, and is slowly guiding my reading, writing, and spiritual travels, largely by modeling in her writings the wonder and beauty of bringing words to life (and, more specifically, by bringing life to words).

Enough of my snarky fantasy. You should read for yourself the writings of Marilyn Chandler McEntyre to understand better my pedestrian meanderings.

Begin anywhere among her published volumes, but here is my beginning chronicle:

It started when I read her book When Poets Pray (Grand Rapids, MI: Eerdmans, 2019). She ensnared me with the opening paragraph of her introduction:

“In prayer, as in so many other areas of life, we ‘learn by going where we have to go.’ Many of us took our first steps on the path of prayer as children with lines we recited at bedtime or mealtime, or with innocent prayer lists that included blessings for guinea pigs and dolls [or for baseball players and country singers]. We may have come to prayer through crisis or loss, or through those who, when we didn’t even realize what we most needed, offered to pray for us.” [my insertion]

If you have an inkling of following my advice to read the reflections of this wonderful guide to life, and if you can appreciate God’s gift of skills encasing her prose, I suggest you begin with McEntyre’s collection called Word by Word: A Daily Spiritual Practice (Grand Rapids, MI: Eerdmans, 2016), where you’ll find entries for every day of the year coming from a writer who whispers inspiration in your ear as you read.