Building a personal anthology of favorite poems

In all of his classes, poet Robert Pinsky insists that students assemble a personal anthology of poems. These are not to be simply photocopies of favorites; instead, each student is instructed to write out every poem in longhand, or type it out line by line, word by word. Pinsky argues this is the best way of learning one’s favorites, absorbing them, and perhaps living them forever.

I think he is right, and in the spirit of a Pinsky student (though I’ve never studied with him) I began my anthology with a few poems I’ve admired but haven’t memorized, titles that spun immediately to the top of my head.

Without writing them out here, let me mention them for any reader to track down.

First is T. S. Eliot’s, Journey of the Magi.
–Eliot wrote this dramatic monologue in 1927, a year after he became an Anglo-Catholic. Many critics suggest Eliot’s poetry diminished after his conversion, but I suggest quite the opposite. One must reflect on the Incarnation to grasp the depth of Eliot’s reflection, and most of his critics disdain such consideration.

–Second in my collection is Christina Rossetti’s In the Bleak Midwinter, which, set to music, has become one of the most beloved of Christmas carols. As did Eliot, Rossetti, a Victorian Christian, reflected on the meaning of the Incarnation of Christ and concluded, Our God, heaven cannot hold Him,/nor earth sustain.

–My third choice comes from an anthology designed for children and a poem I’ve written of previously, Rebecca Kai Dolitch’s poem My Brother’s Shirt. I think it is one of the gentlest, and saddest, anti-war poems I’ve read.

–One more for the time being: Dana Gioia’s 1991 poem, Planting A Sequoia. I was introduced to Gioia’s poem by the late Larry Kooi, the head of a private Christian school at which I taught for a brief time. I’ve written about its significance in an earlier post.

I’ll attempt periodically to update the building of my favorites anthology.

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